EP. 352.5 — Last Looks: Beautiful Wedding (w/ Greg Fitzsimmons)

[00:00:00] Paul Scheer: Eggs, Greggs, and How Did This Get Made that’s right. Today, we are breaking it all down on last looks. Hit the theme!

[00:00:10] Music: How Did This Get Made? Trash can fires and Jacob’s Ladder. Started out bad, now it’s getting badder. Jason Statham, Angelino. Down at the log house where I seen her. How Did This Get Made? Tall John Scheer and Jason Zouks. Balcony monsters about to puke. June Diane asks what’s its mission And where the buck starts is another question. How Did This Get Made

[00:00:52] How Did This Get Made? How did This Get Made

[00:01:00] Paul Scheer: Hello, all you pull pluggers of Shep’s grandma. I’m Paul Scheer and welcome to How Did This Get Made Last Looks where you, the listener, get to voice your issues on Beautiful Wedding, a movie that discord user Ashwin goes to college thinks should have had the tagline,

[00:01:18] “It’s a nice day for a shite wedding.” Good tagline, even better performance from me. Um, Ah, thank you, Ashwin goes to college for that tagline. Remember if you have an alt movie tagline, submit it to us on our discord and we might just read it on the show. That’s right. Coming up on today’s episode, you know, we have Corrections and Omissions.

[00:01:43] We’re going to get into Beautiful Wedding. We’re going to get into all your issues, but we also will have an exclusive deleted scene from our Beautiful Wedding live show. Then one of the greatest comedians of our time. That’s right. Greg Fitzsimmons stops by for a chat with me and Jason. And lastly, as always, I will reveal the movie for next week’s episode.

[00:02:05] But before we get to that, have you gotten your tickets for our live virtual show on September 6th? It’s pay what you can afford. How Did This Get Made is joining forces with Move On to raise some money. Unfortunately, the show is only available in the United States for one day. It will be released. As a podcast, but when you sign up to watch the show, you’ll be helping, uh, save democracy.

[00:02:30] How about that? Anyway, uh, the show is on September 6th at 5 PM Pacific, 8 PM Eastern. We have Adam Scott joining us to break down Troll 2. So head to HDTGM for all the ticket information. And if you can’t watch the virtual show, uh, don’t worry, it will be available as a podcast right after we do it, or, you know, conservatively within the area in which we do it, we’re not going to be breaking release schedules here.

[00:03:00] Anyway. Um, I believe that New York’s show on November 15th is sold out. If you live on the Eastern seaboard, get ready because Jason and I are coming to do some Dinosaur. Live shows in Brooklyn. We’re also be in DC and Boston. Stay tuned for those dates, but they’re all after the, How Did This Get Made show in New York on November 15th?

[00:03:24] So we cannot wait. We also have some live Largo shows coming up. That’s right in October and in November. So keep. Your eyes peeled. We got a lot of stuff happening. My book, Joyful Recollections of Trauma. I have to say I am blown away. I just looked at some numbers this week. You are listening to the book.

[00:03:44] You are buying the book. Still weeks and weeks, months out. I appreciate it so much. And I appreciate all the amazing reviews that I’m seeing on Amazon and Goodreads and Storygraph. I really, really appreciate it. Sothank you so much. Um, Keep on buying the book. Tell your friends about it. That’s the best way that I can combat people like Tom fucking Selick.

[00:04:05] Oh, man, I go into a Barnes and Noble and there are rows and rows of Tom Selick books, but only a handful of mine. But you know what? They’re selling so much so that I went to Hawaii. I signed some books and they’re already sold out there. So, uh, if you want a personalized copy from me, you can head over to Chevalier’s.

[00:04:22] It’s a bookstore in Los Angeles, and you can tell them what you want me to put in your book. And I’ll put it in there. That’s right. Anyway, that is all the plugs that I got, but let’s get into it. Because last week we talked at length about Beautiful Wedding. We had questions. We might have even missed a few things.

[00:04:40] Here’s your chance to set us straight. Fact check us if you will. It is now time for Corrections and Omissions.

[00:04:49] Music: To whom it may concern, gonna drop some knowledge on you. So get ready to learn. Tell us something that we know, maybe something they said wrong in the show. Corrections and Omissions.

[00:05:06] Thank you Wally Tarkenton for that theme song, by the way, thatsounds like. Wally Tarkington, I love the name, but it does sound like a character, uh, that a Rodney Dangerfield might play in a classic eighties, uh, comedy. Let’s start with Mitch Kappa. “They didn’t mention the big reveal that the beautiful series of movies takes place in an alternate universe.

[00:05:34] Earth 6969.” Well, I like what you did there. “Where the Sacramento Kings won the NBA finals. It made me wonder if Paul will give the Clippers a championship when he makes his movie.” Well, here’s what I want to tell you. I did notice that I believe we talked about it. We might’ve cut it out. Cause it really stuck out to me.

[00:05:52] But then I also knew that Jason and June may not really give a shit if I brought that up. So, uh, so I can’t remember. It’s definitely something I wrote down when watching it. I would never. Give the Clippers a fake championship. They don’t need it. They don’t need it. I’m a fan. I don’t need to create a fake narrative to make myself feel better.

[00:06:15] Uh, Dr. Guts 1003, by the way, I wouldn’t feel better. I wouldn’t feel better to give them a fake championship. No way. Let’s earn it. Uh, Dr. Guts1003 writes, “It seemed odd.” And that’s why I don’t bring up sports on the show. Uh, Dr. Guts1003 writes, “It seemed odd that the central conflict around the film is that Abby and Travis got married without really knowing anything about each other when the premise of the first movie is that Abby loses a bet and has to live with Travis

[00:06:41] for 30 days, this movie wants to act as if these are two strangers who accidentally got married while drunk in Vegas, but they have way more familiarity with each other than that.” Yes, Dr. Guts, you are 100 percent right. It really jettisoned everything we knew about them. I thought that the movie didn’t know exactly what it wanted to be.

[00:07:03] Surprise, surprise. But the idea that I think the buyer’s remorse, like we were just, it was just getting interesting. And then we got married. So now it’s serious. I thought it was maybe going for that, but they didn’t really embrace that. And that’s a tough needle to thread like, Oh, just when we were carefree now we’re married, but they also act like marriage is like the end all be all like they could have gotten that shit annulled.

[00:07:32] Right? And that was a mistake. That was a drunken mistake. Let’s go back. That wouldn’t have been a big deal. I don’t think that would have been a big deal. Would be a big deal to you? If you and I got married in a, in a night of drunken passion, and I’m not married in this scenario, and neither are you, or if you are, and we woke up the next morning and we were married, would we feel like we have to go through with it?

[00:07:56] I don’t think we would. I think we’d go, you know, it doesn’t count. Uh, let me know what your thoughts are. Let’s go to the phones, but you can’t answer that one because it’s a pre taped episode. Here we go. Going to the phones, talking to Katie from New York. Um,

[00:08:10] Listener: Hi Paul, just wanted to give you guys a quick, uh, little Dylan Sprouse recent story.

[00:08:16] Um, so last week, uh, somebody. Plastered, um, flyers all over Midtown Manhattan with a picture of Dylan Sprouse and the message, Dylan Sprouse ruined my life. So here’s his number, have fun, with a telephone number. Uh, I gave it a call. And, uh, it was just some guy that said he wouldn’t be answering unknown numbers, and he would be blocking people, so.

[00:08:43] I don’t know if it was his, I don’t know what he did to this person, but, uh, maybe it was sweet revenge for making this terrible movie. Anyways, thank you guys. Bye bye.

[00:08:52] Paul Scheer: Wow, Katie! Wait, so he answered the phone? To say that he would not be answering unknown numbers? This doesn’t seem like Dylan Sprouse, but this seems like the perfect way to fuck over someone. Like go like, Oh, Olivia Rodrigo fucked over my life.

[00:09:16] Here’s her number. Give her a call. Like, it’s a great way to mess with somebody because Dylan Sprouse, I would imagine, uh, that would happen to him and he would change his number within 5 to 10 minutes. Um, but Maybesomebody in your own life doesn’t know how to do that that quick. And you could really, uh, terrorize them with that.

[00:09:32] So team get on it. And by team, I mean, all of you listeners figure that out. We need to figure out what is Dylan Sprouse up to, or if he’s just some dude, who’s answering the phone, telling people that he won’t be answering the phone again, We need to find out what’s going on. Call that number again, I guess.

[00:09:51] Now, maybe you’re blocked. I don’t know. I am so confused. I need answers. All right. Oh boy. Let’s go to the next call.

[00:09:59] Listener: Hey Paul, or Jason, depending on who’s doing the mini episode this week. Don’t know if it’s a Spotify thing or what, or if you guys got a new sponsor, but lately while I’m listening to your episodes, I’ve been hearing ads for Eglin’s best eggs, uh, and I’m just curious what Jason’s reaction might be to knowing that Uh, your podcast is getting ads for something that might kill him.

[00:10:23] Uh, so just love to hear what he has to say about that one. I love the show. Keep doing what you’re doing.

[00:10:29] Paul Scheer: Eric from Colorado. First of all, Jason? Hello, Paul, or Jason’s done two last looks episodes Two. Your, Oh, I don’t know who I’m going to get here. And secondly, you know what? Eggs might kill Jason, but they keep this podcast free.

[00:10:48] We’ve said that we won’t do certain ads. We will do ads for eggs. And, uh, and Jason, and this is the sad part about it. When they bought those ads, uh, they make Jason listen to the ad. So unfortunately that’s what he does for this podcast. So you’re welcome. Uh, but yes, we advertise eggs. So this can remain a fun Free podcast. Back to the discord.

[00:11:12] Johnny Unusual writes, “At one point, Abby reads an online news article about a bride who murdered her husband on their honeymoon. On the side of the page is another headline that says mysterious ancient city discovered beneath Antarctic ice. Now, this seems to imply the movie seems to take place in the same world as Lovecraft’s sci fi horror story at the mountains of madness about the very idea.

[00:11:36] Interesting to see something tying together Jamie McGuire and HP Lovecraft besides being racist.” Wow. Wow. A lot to unpack here. Um, here’s the thing. Um, That was probably done by an amazing, uh, set deck person, you know, graphic designer on set who just was having some fun with this film and whenever you see a paper in a movie, not in a Nolan movie, but like a regular movie, look at those look at what’s going on there.

[00:12:08] There’s a lot of stuff going on. Primarily Photos of whoever designed the papers family with stories about them. But, uh, but that was pretty great. I actually thought they were just going for more of an, you know, an Atlantis kind of an idea and it didn’t tie to anything in particular, but the fact that they’re, they’re connecting some high art and low art, I mean, this is the, uh, what is it, uh, the New Yorker, uh, approval matrix right here.

[00:12:35] Um, Aaron Renee writes, “I know you talked about how they couldn’t find condoms in Mexico that first night, but my question is, did they ever? Because either they were readily available the next morning or they never found condoms. And that means that they’ve either never had sex the entire time they were in Mexico, or they just kept on playing just the tip with Pino and that laid the groundwork for

[00:13:03] Beautiful Baby, the third and final installment of the trilogy.” Aaron Renee, if we get Beautiful Baby, I will be so fucking psyched. And as a matter of fact, I don’t even know if you’re joking is the third Beautiful Baby, I don’t think it is. And now I’m excited for it. Can you write it, Aaron Renee? I think if you write it,

[00:13:20] they will shoot it. All right. So many great Corrections and Omissions this week. There can only be one winner. And when I say winner, I really mean that in the, the grand scheme of life where winning is about pride and not about objects, you know, I’m not going to celebrate somebody who is, uh, hoping that I create a fictionalized clipper win.

[00:13:41] I’m not going to give it to the person who, uh, thought that Jason might be answering the phones when he’s only done it twice, I’m going to give it to Aaron Rene. Uh, you know, and you may be saying, well, Paul, why are you giving it to Aaron Rene? Because isn’t Johnny Unusual the one that really brought an interesting thing to the table?

[00:13:56] Yeah, maybe you’re right. Maybe I forgot about Johnny Unusual and maybe Aaron Rene was just there when I said, I’m going to pick a winner and that’s what I picked either way. I made my decision. Aaron Rene, you are the winner and here is your winning theme from Francis day.

[00:14:13] Music: You win nothing.

[00:14:21] Paul Scheer: That was a little darker than normal.

[00:14:23] Uh, thank you, Francis, for that song. Remember if you want to submit a theme. Please email us at HowDidThisGetMade@Earwolf.com, butkeep them short. 15 to 20 seconds is best. And remember, we are looking for second opinion songs for the live virtual stream. So get out your shit, make it look good. We will play them videos.

[00:14:44] We’re looking for video songs. So get your hair done, get a backdrop, get some good ring lights and surprise us. All right. Coming up after the break, comedian, Greg Fitzsimmons will stop by to chat with me and Jason, and I will announce next week’s movie. But first I want to play an exclusive bonus scene from our Beautiful Wedding live show.

[00:15:06] A few of you wrote in mentioning that this movie had some connections to the TV show Friends. And one of the roosters was named Ross and Dylan Sprouse also played Ross’s son on Friends. However, one audience member had an even more elaborate friends theory. So take a listen.

[00:15:22] Paul Scheer Live: Keith. Okay. What’s the question?

[00:15:23] Audience Member: So my question is, uh, actually it’s an alternate source for the fan fiction here. So the writer director, I don’t remember his name, Kubel?

[00:15:31] Paul Scheer Live: Roger Cumble.

[00:15:33] Audience Member: Right. So he worked with a Schwimmer back in the nineties. So this is really. So this is really the one after Vegas after Ross and Rachel get married and they go on their honeymoon to Mexico and this is the fan fiction of what would have happened had they filmed that.

[00:15:52] Paul Scheer Live: All right his theory is that.

[00:15:54] Jason Mantzoukas: I don’t think that theory is true.

[00:15:57] Paul Scheer Live: Roger Cumble is friends with David Schwimmer and because of their friendship he was finally able to act out his own fanfiction. All right. I’m listening. But I also walk away.

[00:16:08] June Diane Raphael: You know how that works, though, Paul. You can only really write fan fiction if you’re kind of friends with the person who’s.

[00:16:15] Paul Scheer Live: Yeah, that is true.

[00:16:16] Oh yeah.

[00:16:18] Jason Mantzoukas: Well, that’s like all my Grace and Frankie fanfic.

[00:16:20] June Diane Raphael: Yeah, you’re the only one I trust.

[00:16:23] Jason Mantzoukas: It is disgusting.

[00:16:30] Paul Scheer: All right, people, we are back. And I just want to remind you that every Monday we are popping out some older episodes into the live feed. That’s right. And we did a doozy this week. 1987 sci fi Stephen King hit. I’m talking about the Schwarzenegger led Running Man. How did I say it’s so weird? I should have just said the 1987 hit The Running Man, starring Arnold Schwarzenegger.

[00:17:00] I don’t know why I said that so weird, but I’m here and we did it together. Anyway, check out what we got every Monday. It’s a great chance to go back and listen to some classic episodes. And now, listen to what we have coming up. We have a very special guest. Uh, Jason and I love this guy. He is a hilariously funny comedian.

[00:17:20] We’ve worked together since, my gosh, like the early 2000s on Best Week Ever. He’s got a brand new standup special coming out called, You Know Me, which is available on his YouTube channel right now, the man is Greg Fitzsimmons, and we got a lot to chat about, not just a special, so much stuff, and we’re going to give you a bunch of stuff to check out in our conversation.

[00:17:45] So without any further ado, Anton Whelan, play us in.

[00:17:53] Music: And it’s a fact, that we can all call it, Just Chat. They’re watching their movies, they’re watching TV, They’re going to tell me, that we can all call it, Just Chat.

[00:18:10] Paul Scheer: Greg, it’s awesome to have you here. Your special, You Know Me is on, uh, the Greg Fitzsimmons YouTube channel. I’m so excited that you’re here.

[00:18:19] How are you?

[00:18:20] Greg Fitzsimmons: I’m good. I’m good. I mean, it’s, uh, it’s, it’s very difficult right now because, uh, I’m promoting myself and I don’t know, I just have such low self esteem and I’m so Irish that the idea of saying like, look at me, pay attention to me is just, it’s, and it’s anathemic? What’s the word? Anathetical?

[00:18:42] Jason Mantzoukas: Antithetical?

[00:18:43] Greg Fitzsimmons: Antithetical? Yup. Yeah.

[00:18:46] Jason Mantzoukas: Well, I feel like that is a very, that is very much a comedian’s mentality.

[00:18:51] Greg Fitzsimmons: It’s hard.

[00:18:52] Jason Mantzoukas: It’s, it’s one thing to get on stage and scream into a microphone, everybody look at me. But it’s another thing to like, go on a podcast or be out in the world and having to be like, actually, I would genuinely love it if you would look at me on my YouTube channel on this special.

[00:19:07] Greg Fitzsimmons: Yes.

[00:19:07] Paul Scheer: And also, I feel like you are so used to talking to people, uh, you know, you have what, like three podcasts, right? You have Fitz Dog, uh, Childish and, uh, Sunday Papers, right? Like, so you’re, you’re, you’re talking to people. Like, it’s hard to make that transition on the other side. I often feel like when I’m on that other side, I’m trying to do the job

[00:19:27] of the person hosting the show. I’m like, I know what I need to get out. I’m going to try to make it easier on you. So you don’t even have to set me up for me to tell you about it. But I think for you doing a standup special, it’s hard because. How do you pitch a standup special? Like you’re like, yeah, he’s funny.

[00:19:41] Greg Fitzsimmons: Well, it’s almost like I, I almost pine for the days when you would fly into, you know, Tempe, Arizona. No worse. You fly to like Atlanta from LA. So you get in Thursday night, you’re exhausted, you do a show and now you got to wake up at 6:30, their time, which is 3:30 LA time. And then you go to four, 20 minute radio interviews.

[00:20:04] Jason Mantzoukas: Just drive time radio.

[00:20:06] Greg Fitzsimmons: Drive time. Scooter and the Pooch. And, and they’ve got a lot of, they got a guy on a sound effects board, they’ve all been drinking coffee since four in the morning and you walk in.

[00:20:17] Paul Scheer: A million inside jokes that you are not a part of that are flying over you like bullet fire. I go. Okay. All right

[00:20:23] Jason Mantzoukas: Yeah, and all of the jokes are like local specifics and it’s like it could be worse You could be on the 203 and it’s like wait, I don’t know.

[00:20:32] Paul Scheer: Speaking of the 203, we are backed up all the way to exit 47a.

[00:20:36] Greg Fitzsimmons: Yeah, we’re we’re backed up to the library. Where is the fucking library?

[00:20:40] Paul Scheer: Greg you and I last hung out together, um, on what I thought was a couple’s night. You thought it was a dude’s night and we.

[00:20:52] Greg Fitzsimmons: So embarrassing.

[00:20:53] Paul Scheer: We went out, we had a great dinner. It was actually, itturned out to be a great night. Uh, a fun night.

[00:20:59] But it was such a, I felt for you in that moment because, uh, Greg and I are friends with this guy. He is a coach, uh, of a professional basketball team, and we and, and we thought. I, I was under the impression it was a couple’s night. Greg was under the impression it was a, uh, a dude’s night. And so I brought my wife, uh, the coach brought his wife and, uh, Greg brought his friend.

[00:21:20] Greg Fitzsimmons: It’s my college buddy who, you know, and, and the worst thing is, it’s like, it’s just not that frequent that me and my wife go to a nice dinner with nice people, you know, and she, and at a bar. A beautiful restaurant. And he picked up the check. I mean, then, and you’re there and June is there and I feel, and she is such a magic person to hang out with and she just missed everything.

[00:21:45] And my dopey buddy from college is sitting there going like, uh, are we gay? And you didn’t tell me or something.

[00:21:54] Paul Scheer: And your buddy, like your buddy did the come with, like he has, He did some cool stuff, it was fun, it was just a fun hangout, but I feel like those are those moments that I am, I am, like, constantly living in fear of, like, did I get the time right?

[00:22:08] Did I get the thing right? Uh, are we do, like, are we on the same page? I feel like I’m always I’m Uh, if I get to someplace five minutes early, I’m like, Oh, I fucked it up. I fucked it up horribly. I shouldn’t be here. It’s next week. I, I get, I I’m checking emails and texts.

[00:22:21] Greg Fitzsimmons: Well, it was originally a guy’s night that when we, we’ve been planning this for two years, maybe.

[00:22:29] Paul Scheer: Things change, I don’t know, yeah.

[00:22:32] Jason Mantzoukas: What, Greg, was your wife disappointed when she realized that she should have gone? Or was she like, I dodged a bullet?

[00:22:39] Greg Fitzsimmons: No, no, no, no, no. My wife loves going to dinners like that.

[00:22:43] Jason Mantzoukas: Oh, that’s a bummer.

[00:22:44] Greg Fitzsimmons: She’s like the most social person. She’s not, I wouldn’t call her outgoing. But she loves meeting new people.

[00:22:52] If she met you, she would ask about you. And when she saw you 11 years later, she would remember everything that you told her.

[00:23:00] Jason Mantzoukas: I love, I love that. I love a good, when you meet someone, it’s a good interview. It’s a good conversation and it like lands, it’s like, it’s like a real moment you have. And especially, I will say in this town, when you are meeting people out in the world, it’s not often that it is like a very real, very

[00:23:16] human connection, you know, uh, it’s not always like that here.

[00:23:20] Paul Scheer: I like a dinner where you have some strangers in the mix. I feel like back in New York, it was a, it was happened a lot more for me in New York and now it’s like, Oh, I know everybody here, but it’s nice to be like, Oh, I don’t really know your wife that well.

[00:23:33] So it’d be great to talk to you. Like, it’s like, it’s a little, there’s new information coming around. Like, you don’t, can’t just keep it as the same old topics that you’d be talking about all the time. I like that.

[00:23:42] Greg Fitzsimmons: Yeah. And I, and I really. I don’t like a guy’s night out. I don’t like, especially if one guy’s a NBA coach and you’re like, oh God, is this gonna be some manly thing?

[00:23:53] I can’t do that. I don’t like men. I . I mean, I like, like if I’m with my college buddies, I can do the man thing because it’s kind of being ironic about it. You know? People call me. That’s why I get, I’m called Fits Dog because it was a joke in college that I hated fraternities so much. That they all went, Hey, it’s Fitz dog.

[00:24:14] And, and it just kind of stuck. But, um, no, I’d much prefer some female energy in the room.

[00:24:19] Jason Mantzoukas: God help me. If like cigars come out, I feel like, I feel like if somebody has cigars, I got to leave, it’s over, I’m not supposed to be here. Yeah. No, I can’t coexist in the same space as cigars or like, or like if we start to get into like very intense, like bourbon con conversations or something.

[00:24:41] And I’m like, I mean, I don’t know. I feel very ignorant or very, um, foolish.

[00:24:46] Paul Scheer: I appreciate a nice wine. I definitely do. I’m not in that zone where I can tell you that much about it. I like what I like. But when I’ve seen people like, Oh, come to my, I have a wine locker at a restaurant. I’ve been in those situations.

[00:24:59] And that’s another thing. Like I go there so much that I keep my wine there. Like, you know, it’s like, it’s like a gym membership. And that also makes me uncomfortable.

[00:25:09] Greg Fitzsimmons: Yeah. When we used to go to Largo, we used to do Largo way back when on Fairfax. Yeah. So, uh, Laura Keitlinger, who’s one of the most underrated comics of all time.

[00:25:19] Jason Mantzoukas: So funny.

[00:25:20] Greg Fitzsimmons: She used to keep a bottle of Kettle One behind, she had her own bottle of Kettle One behind the bar. It was like a special type of it.

[00:25:28] Paul Scheer: I love that. At, at my barber shop, there is a secret compartment that if you bring liquor, you can drink it Uh, like you can drink anything, like if you bring a bottle, you can drink anything in the liquor cabinet.

[00:25:42] That’s the, uh, I’ve never seen anyone pop it open. My barbershop, uh, you know, I’m a bald man, but I still, you know, I get my hair trimmed. They, uh, they have a lot of events at my barbershop. They’re always like, we’re gonna have a poker night, we’re gonna do music, we’re doing a Christmas thing. They’re always inviting me out, and I, and I’m, I’ve not yet gone.

[00:26:02] I can’t get out of the house for anything like that. And, uh, I don’t, you know, but it’s also like, I don’t know who I’d be bumping into there. Cause it’s, there’s no connection.

[00:26:10] Jason Mantzoukas: I’d love it if you invited Greg to one of your barbershops events and he brought his wife as if it was a date, like completely misjudged it again.

[00:26:21] Paul Scheer: Honey, come on, come across town. Come out to the East side.

[00:26:23] Jason Mantzoukas: Paul Scheer’s barbershop. Wait, what?

[00:26:25] Paul Scheer: Oh my gosh. Is this an earthquake? Whoa. Did you guys feel a giant earthquake?

[00:26:29] Jason Mantzoukas: Did you feel it?

[00:26:29] Greg Fitzsimmons: Whoa! Oh shit!

[00:26:32] Paul Scheer: Major!

[00:26:32] Greg Fitzsimmons: Whoa! Wow! It’s still going.

[00:26:36] Jason Mantzoukas: Wow.

[00:26:37] I am

[00:26:37] not feeling it where I am.

[00:26:39] Greg Fitzsimmons: I’m

[00:26:39] still feeling it.

[00:26:41] Paul Scheer: Yeah, mine just finished out.

[00:26:42] Whoa.

[00:26:43] Jason Mantzoukas: Keep it in, keep it in the episode.

[00:26:46] Paul Scheer: Whoa. Holy shit. That was the worst one I felt.

[00:26:50] Greg Fitzsimmons: That’s the strongest I’ve felt in a long time.

[00:26:53] Jason Mantzoukas: And didn’t we have one? We had one last week or a week prior? Was that a little?

[00:26:57] Paul Scheer: Yeah, yeah, yeah. Wow.

[00:26:59] Greg Fitzsimmons: Well, my, my, my. Property values just went down 15%.

[00:27:05] Paul Scheer: My wife just said she almost fell off the treadmill.

[00:27:08] She was on the treadmill. Holy cow. Wow. My Lord. Well, the recovering from, so Jason, you have still not felt it?

[00:27:16] Jason Mantzoukas: I haven’t thought that. I live in the hills. So my guess is I’m some, I get my guess is it just doesn’t, I don’t know. Like I, I don’t, I didn’t feel it.

[00:27:25] Greg Fitzsimmons: No, the big earthquake back in, uh, what was it?

[00:27:28] 88 or something. Yeah. That one. They said people in Hollywood and the west side, like it was, everything was disrupted. It was chaotic. People who lived in the hills woke up the next morning and started getting ready to go to work.

[00:27:43] Jason Mantzoukas: Oh yeah.

[00:27:43] Greg Fitzsimmons: They didn’t feel anything because it’s all granite.

[00:27:46] Jason Mantzoukas: Yeah, yeah, like I’m on like bedrock, I think, and maybe that makes it not.

[00:27:50] I feel like that would conduct it more, but I don’t, every time someone’s like, Oh, did you feel the earthquake? I’m always like, I did not.

[00:27:57] Greg Fitzsimmons: So meanwhile, Venice, Venice is a liquefaction zone, which means it’s basically built on sand and you may just sink in.

[00:28:07] Jason Mantzoukas: Just a total sinkhole. Wouldn’t that be wild? Jesus Christ.

[00:28:14] Paul Scheer: Let’s talk about your special. Did you, now, who directed your special? Did you, do you pick a director? Do you, or do you, like, do you do it yourself? Like, like, what’s, what’s your process now? Because you’ve done these a bunch.

[00:28:23] Jason Mantzoukas: And specials themselves have changed so much from back in the day to now. Like, you’re, you know, I’m assuming you’re doing this, you’re putting this out on your own on YouTube, right, Greg?

[00:28:33] Greg Fitzsimmons: Yeah, I had it, uh, produced by 800 poundgorilla, which they do. They do most of the big podcasts. And so they flew everybody into all, I did it at The Mothership in Austin.

[00:28:43] Jason Mantzoukas: Cool.

[00:28:43] Greg Fitzsimmons: And, uh, so they flew everybody and it was expensive and I laid out the money because I wanted to maybe put it on Netflix. And so they have certain specs that it has to be.

[00:28:53] Um, I’ve directed other people specials. So I just directed it myself. I mean, you know, the DP has a lot to do with it. You know, it’s basically. You know, directing a special is just setting up the camera angles, basically, and, uh, and so.

[00:29:06] Paul Scheer: And you also know your stuff. I mean, it’s like,

[00:29:08] that’s the other thing, too.

[00:29:09] It’s like, I feel like, like, are you like before you go? Are you taping like two or three specials? Are you taking one or two and one night?

[00:29:16] Greg Fitzsimmons: Yeah. And so we came in.. They came in. We had like seven cameras and a whole lighting kit. And, uh, and then, um, Youknow the first show I come out and they told everybody to please get seated for the show Because they had the opener and the feature go on and then we took a break so that everybody could get a drink take a piss They wouldn’t have to get up.

[00:29:37] And so they go. All right, and I’m so goddamn nervous.

[00:29:41] Jason Mantzoukas: I was gonna say like at this point like how much are you like, okay, it’s these two shows I got it just through these two shows, right?

[00:29:48] Greg Fitzsimmons: Yeah, because I’m at the point in my career, I’ve been doing it for 35 years. Wow. And you get to a certain point where they start introducing you on the local shows as, This guy’s a legend.

[00:30:00] Don’t call me a legend! That, that, that is the most insulting, like, What am I, an antique or something? And so like, I, I, I want to do a special and I think I did a special that shows that I’m doing it at the level I’ve been doing it this whole time. And, uh, so, so I’m so nervous that I’m pacing, I can’t breathe.

[00:30:21] I’m drinking bottles of water. And then they introduced me and I walk out on stage and I do my first joke. And then a tall guy walks into the room in front of all the cameras and sits down. And I just went, well. Let’s start it again. And I left the stage, played the theme music. Welcome to stage, Greg Fitzsimmons.

[00:30:41] And I walk up and I do the same joke. And it gets half the laughter, and then I do two more jokes, and then two more people walk into the front row. So I said, alright, we gotta start it again. And so I walk on, I go, listen, this time you guys, do me a favor, pretend you haven’t heard these jokes before.

[00:31:03] Jason Mantzoukas: That’s brutal.

[00:31:04] Greg Fitzsimmons: Yeah, so I ended up I showed the special to Dave Attell, and he goes, Dude, you gotta, you gotta cut the first three minutes. Cause they were so flat. And I did, I started the special like, uh, four or five minutes in.

[00:31:17] Jason Mantzoukas: What? Oh, so you just cut into later jokes.

[00:31:21] Greg Fitzsimmons: Yeah, I cut it, I cut it so it looks like it was the first joke.

[00:31:24] Jason Mantzoukas: I loved, and I’ll say that I loved Attell’s recent special. And one of the things that I loved about it, frankly, was that it was like, I don’t know, 45 minutes long? It was 40 minutes long or something?

[00:31:36] Greg Fitzsimmons: 40 minutes long.

[00:31:37] Jason Mantzoukas: It was like a sprint. It was like a Dave Attellsprint, which was so fun and so fucking funny that I was like, Oh, I don’t, I’m not like here missing.

[00:31:48] Oh, why isn’t it 60? Why isn’t it an hour? Why is it? I’m like, Thiswas phenomenal. I love it.

[00:31:53] Greg Fitzsimmons: Well you and you know it wasn’t 40, it was supposed, I know it was. He said yeah, Netflix. Yeah. Netflix said if it’s not 40 minutes, you don’t get paid. Yeah. And his was 37 minutes and so he went out, he taped it in San Francisco

[00:32:06] So he goes down to the, the wharf where all the sea lions are. Yeah. And he just starts playing his plastic flute with shots of the sea lions for three minutes.

[00:32:16] Jason Mantzoukas: It’s so funny. At the end of the special, there is just him padding for time. Literally padding the special for time. It’s so funny. Yeah. It’s such a great special.

[00:32:27] But anyway, sorry. What a great person to run it by, and alsosomebody who would I’m certain give you like a no bullshit answer. Like cut that first. There are, that’s a hard thing to tell someone, you know.

[00:32:41] Paul Scheer: There are hard things that happen. Like I remember I was hosting this thing for, uh, the crews, right.

[00:32:47] During the strikes and we were raising money for a crews and we did this big benefit downtown at the Orpheum theater and I was coming out and I was MCing the night and I came out on stage and I had my jokes on a teleprompter and I get introduced and literally. A group of people block the teleprompter, like, like mid joke, right.

[00:33:07] And it’s like, and, and it is like, it, it’s the most unnerving thing because you’re like, wait, we didn’t account for this. And then, and I was already like, it’s like, you’re already mid something. So you can’t even like, wait for them to ebb and flow. It is like it like dealing with an audience in any of these things is such a, uh, it’s such a tricky, it’s a good, it is a tricky proposition because you want to capture wants to feel real and alive, but you also know that you really only have one shot to get the genuine reaction.

[00:33:40] It’s, it’s a very, it’s so bizarre. It’s such a bizarre thing.

[00:33:43] Greg Fitzsimmons: Well, that’s why one of my favorite specials of all time is, uh, Dice than the night, the laughter died where he literally walked into Danger Fields at midnight on like a Wednesday. And there was about 15 people left. They just seen three hours of comedy and he just walked up unannounced and did an hour and they

[00:34:04] hated him and they were talking and they were heckling. And he was just, but it was an exercise in watching a guy who, which what we all want to be, which is just impervious to how they’re feeling about you. And just, you know, having a voice that’s so strong that he just went right through it. It was amazing.

[00:34:24] Paul Scheer: I remember having that tape and not getting it, but being like impressed that he was, it was like, whoa, this isn’t bizarre. Like, yeah, it was really, that’s like a very interesting, I really listened to it a couple of years ago, I was like, this is no one else has really done anything like that. It feels like.

[00:34:38] Jason Mantzoukas: It’s also like, so interesting to listen to specials that are not as polished.

[00:34:44] Like the comedy special now has become such a slick kind of polished thing. And I feel like it’s really fun to watch specials, you know, because specials weren’t like that in, when I grew up getting someone’s comedy special on tape, it was just a recorded set at a club. And it was, you know, maybe a little bit polished, but it wasn’t, you know, it was for an album or something like that.

[00:35:04] It wasn’t as built up. And now you’re like Kyle Kinane’s last special was a club special. Like I feel like, uh, what you’re describing sounds a little bit more like a night at the club, which I feel like that’s really interesting to me. Like, that’s like, I want to hear you engaging. I want to hear, I enjoy that.

[00:35:22] Those moments of like, genuine discovery in the moment, you know?

[00:35:26] Greg Fitzsimmons: Yeah I talked to a guy in the front row about maybe two minutes into the set there was a guy and it wasn’t I wasn’t looking to do it, but it just kind of happened and uh, and I I was like I did it a few times and I kept it in because you get so sick of telling the same jokes over and over again if you can break it up.

[00:35:43] What were the specials, Jason when you were growing up that struck you and influenced you?

[00:35:49] Jason Mantzoukas: The big ones for me were the, the, the first, cause I was, I grew up in like suburban Boston. So.

[00:35:55] Greg Fitzsimmons: What town?

[00:35:55] Jason Mantzoukas: Nahant, Massachusetts.

[00:35:57] Greg Fitzsimmons: Oh, sure.

[00:35:58] Jason Mantzoukas: So just north of Boston. So like the Boston comedy scene. So like Stephen Wright’s first album was huge to me.

[00:36:05] Like that was like, that was a, a bomb in my life, you know, like was that, was that record. Um, and then everything else, it was, It was, oh, it was the Eddie Murphy, but those were big clubs. Those were big theater shows. The Eddie Murphy specials, you know, delirious and everything that came out. Uh, raw, uh, incredible for, it was the Bill Cosby tapes also I had, you know, growing like would be the, those are probably the, I bet the Bill Cosby tapes were the first ones I got from my parents that were like clean comedy albums to get, which is hilarious.

[00:36:39] Paul Scheer: My dad would let me borrow his Smothers Brothers albums. So that, or like, or that’s when I was visiting his parents house, they had Smothers Brothers albums. So I listened to that and Bill Cosby. And then the first dirty one I ever heard was Robin Williams reality. What a concept. It was just like, I remember it’s like, I remember jokes on that, but it felt dirty.

[00:36:59] And I remember I loved Robin Williams as Mork, right? Like I just say, and it was like, but it felt like a different Robin Williams. Like, and it was just, and like Eddie Murphy’s first special, the one I had on tape, you could hear glasses clinking. It wasn’t like, it wasn’t like a stadium show like where delirious is like a stadium.

[00:37:17] It was still like Eddie Murphy’s talking about the bus boys. He’s like, give it up for the, you know, actually the opener. I think that’s they’re a band, but he would, but you could hear glasses just moving around. It was like, those albums were big. And also Emo Phillips was very,

[00:37:28] Jason Mantzoukas: Oh, Emo and Judy Tanuta. I had a Judy Tanutatape as well, which I felt like featured her

[00:37:36] getting heckled and going at someone, and there was like, there was a back and forth cause it was, it was like a, it was a club show.

[00:37:43] Greg Fitzsimmons: Yeah. Emo just calls me sometimes. I met him once like 15 years ago. And then once a year he’ll just call me and he’ll be like, what are you doing? Like no agenda doesn’t even have, usually when you call somebody, you have a bit.

[00:37:57] Or you have, you have an idea, maybe you’re gonna start the conversation with, zero. Just call, and we’ll talk for like an hour. He is the sweetest man you’ve ever met in your life.

[00:38:06] Paul Scheer: I just saw him open for Weird Al, on his like, Weird Al did an acoustic tour, and he was great.

[00:38:13] Jason Mantzoukas: What a great duo.

[00:38:14] Paul Scheer: He was so fun, yeah.

[00:38:16] He was really, really funny, and it was I don’t know. I, I just, I, like, I remember seeing him. I was so excited to see him at Caroline’s when I was in New York City. I was like, Oh my gosh, you know, like those like classic things. I just remember these albums. But I remember like as a kid, also those HBO specials were huge.

[00:38:31] Like it was like, it was like Jackie Mason presents. You know, or something like that. It was like, or maybe it’s right. Yeah. Yeah. Yeah. So it was like, you just get like four different comics.

[00:38:40] Greg Fitzsimmons: Yeah. Yeah. They, those were powerful sets, you know? And, uh, but the album that struck me most, and I think whenever people say who affects you the most, it was Bob Newhart, The Button DownLine.

[00:38:54] Paul Scheer: Oh, wow.

[00:38:56] Greg Fitzsimmons: Which is the craziest story because that album he, he used to be funny at cocktail parties. He worked in advertising and the crazy thing about like the night was, it was that probably the early sixties that album came out. So he would just crack people up and there was a guy who used to go to the parties who was an executive at Atlantic records or one of the, one of the big record companies.

[00:39:17] They just started a comedy division. And the guy said, you know, Bob, you’re, you’re really funny. He goes, would you want to do a comedy album? And Bob was like, I never thought about it, but yeah, that was it. That’d be fun. And so he goes, okay, now when’s your next standup date? And Bob goes, well, I’ve never done one.

[00:39:35] So the guy says, I don’t care. Let’s set you up. So they booked, they booked him in Vegas, three shows or four shows over the weekend. The first couple of shows, he learned how to do standup in a club. And then the second two he recorded, which went on to be a gold record and won the Grammy that year.

[00:39:52] Paul Scheer: Holy shit. I never realized that.

[00:39:55] Greg Fitzsimmons: Yeah. Yeah.

[00:39:55] Jason Mantzoukas: Isn’t that amazing that, that it’s, it’s just that effortless for him to, I mean, truly one of the most effortless performers, you know, to watch just like really just, well, I mean, I saw him do like a fundraiser bit, I’m going to say five years, six years ago, you know, as a man in his eighties and he crushed, he crushed, it felt so easy.

[00:40:17] Paul Scheer: But the other thing about that material is it’s not traditional standup. It’s right. It’s, it’s the phone calls. So they’re all phone calls, right? So if he’s doing that, it’s also like, he kind of invented. Like he was writing full sketch like he was like, it’s, it’s, it’s such a weird thing to, to launch your career with not to even be in comedy.

[00:40:39] It’s like, wow. And that the audience went with it. I, I gotta go back.

[00:40:42] Greg Fitzsimmons: I mean, I think the thing that drew me to that was his ability to bring the crowd to him, you know, so much of the comedy, like Eddie Murphy was just coming at you. Kenison and, uh, Bill Hicks. And, uh, and then Bob Newhart had this way of just like creating his little world that you, you went to.

[00:41:00] Paul Scheer: Yeah, he really, I mean, it was like, it was, I guess, like watching a movie or show, like you’re just in your, it had the pace of it. That was a different pace.

[00:41:08] Jason Mantzoukas: That’s a little bit how I felt when I discovered Nichols and May, which, uh, which was like in high school for me, like that idea of those albums being, um, Not just like these sketch records, but like what I then later found out were like, began as improv scenes, you know, like, and what, how, as I was getting into improv and, and doing that in college and stuff, finding out that, that their process was improvising and then writing and, and honing those things, but that there was improv in there.

[00:41:39] Like they were so massive to me in a way that felt similar to Bob Newhart in that it was, you know, quieter and not as bombastic as, especially what was, you’re talking about like Kenison and Dice and a generation in my neck of the woods, Lenny Clark, people who were loud, loud, brash, you know, outspoken, outrageous, you know, standups were the, what was happening.

[00:42:03] So to discover like these kind of more mild mannered, you know, and then quieter, um, and very hilarious, whether it’s Bob Newhart or Nichols in May or. You know, all that stuff to discover it in like on old tapes or old records in parents or somebody’s record collection was incredible.

[00:42:19] Greg Fitzsimmons: Well, that’s why, I don’t know if you ever saw a movie called When Stand Up Stood Out.

[00:42:22] It’s about the Boston comedy scene. Yeah.

[00:42:24] Jason Mantzoukas: Oh, yeah.

[00:42:25] Greg Fitzsimmons: Salameda.

[00:42:25] Jason Mantzoukas: Ding Ho. Talk about the Ding Ho.

[00:42:29] Greg Fitzsimmons: And so the, the story was that all these guys like Lenny Clark and Steve Sweeney and Kenny Rogerson.

[00:42:35] Jason Mantzoukas: Jimmy Tingle.

[00:42:36] Greg Fitzsimmons: Jimmy Tingle, and they would all come at Rich Ceisler and they would all come out.

[00:42:41] Jason Mantzoukas: Kevin Meany.

[00:42:42] Greg Fitzsimmons: Kevin Meany, the best.

[00:42:47] I’ve never seen anybody kill an audience the way Kevin Meany would kill an audience. It was so powerful and so unique and squeaky clean. It was amazing.

[00:42:57] Jason Mantzoukas: Uh, and it’s, I will say this, this documentary that Greg’s talking about right now is available currently to stream. It’s called When Stand Ups Stood Out.

[00:43:05] It’s up, it’s up still.

[00:43:06] Greg Fitzsimmons: But one of the stories is about how all these very aggressive, in your face comics, because Boston crowds were rough.

[00:43:13] Jason Mantzoukas: Still, they still are.

[00:43:14] Greg Fitzsimmons: They’re still, and it’s just, it’s union guys that are like, you’re not funnier than me. Prove it. And so you have to prove it. And then, so they all had a showcase, the guy at the time that booked the tonight show.

[00:43:28] I can’t remember the guy’s name, but he had heard about this Boston comedy scene. And so he books a trip to Boston. He goes down to the Ding Ho and they all come out. And they’re all doing blow in the green room and they’re doing shots and they go on stage and they’re doing jokes about chick’s hair and revea and what it’s like to get in a fistfight at the, at the Kelly’s roast beef.

[00:43:54] And the guy from the Tonight Show is going, what is going on here? And then Steven Wright comes out, they put him out at the end and he comes out. And he does well. Doesn’t kill like the other guys do. And the next week he’s on the Tonight Show and they’re and they’re all standing there going like, Steve, like Don Gavin once tried to talk Steven out of doing comedy because he felt bad for him.

[00:44:19] Jason Mantzoukas: Yeah.

[00:44:19] Paul Scheer: Wow.

[00:44:20] Jason Mantzoukas: Incredible. Like, and, and at the time, you know, like Lenny Clark is the king of Boston standup at that time, you know, like, and he is big and loud and it is, you’re right. It’s like tons of local specific stuff. And so to have quiet, mild mannered Steven Wright just, just, just annihilating all the way through to The Tonight Show and then gets on The Tonight Show again, like a month later or two weeks later or something and just blows up.

[00:44:47] I just watched, I just rewatched cause it’s somebody sent it to me. It’s on YouTube. Um, the appointments of Dennis Jennings, Steven Wrights, Steven Wrights short film with Rowan Atkinson. And it is so fucking funny.

[00:45:02] Paul Scheer: By the way, you know, I know we’re talking about different stand ups. I just saw Paula Poundstone two weeks ago.

[00:45:08] We were at this library event, like this, like the, the comic con for libraries and watching her crush.

[00:45:16] Like at that like she didn’t even know when she was going up she came out and you know i think it’s always that that thing where it’s like oh how much of this is written or but it was like i’ve just only seen her on tape i never went to one of her live shows and she was one of those people i was like oh she just held this room last person up of the night people.

[00:45:33] I don’t even know if they wanted to go but she could have kept on going for an hour and a half you know it’s like people were so on board. It was really it was fun to see.

[00:45:41] She’s another one of those of those

[00:45:42] Greg Fitzsimmons: people that falls in the category of absolute teflon, like knows she’s funny. She’s not hanging, not hanging on your approval of her in any way.

[00:45:51] Jason Mantzoukas: Not, not insecure about like whether or not this is going well or anything like that, just crushes.

[00:45:58] Paul Scheer: She told a story. That, again, I don’t know if this is part of her routine or this is her talking, but she was like, she got obsessed with like Matlock and she’d only write to Matlock and she would go to sleep to Matlock.

[00:46:12] And then when she woke up, she’d watch Matlock. And it was like, Matlock was always on every part of her life, like Matlock and she had DVDsand she’d bring around a DVD player, and she’d go to a hotel, she’d get it. And then she finally, like the technology surpassed the ability to watch Matlock. And then she finally got into Breaking Bad.

[00:46:30] And now all she does is like, she’s like every, like I’m on the treadmill, I’m watching Breaking Bad. I’m writing, watching, I’m going to sleep watching. She’s like, I’ve watched it literally like 55 times from start to finish. Like just watching it over and over again. It was such an interesting insight on just a brain.

[00:46:46] Like, it’s just like, I need one thing that I’m familiar with on non stop. And I was like, I really just want to go in. I wanted to be like, what is that, like?

[00:46:57] Jason Mantzoukas: What is that’s in that’s dig into that. That’s fascinating.

[00:47:00] Paul Scheer: I was blown away by the fact that she only just wants it on. She’s like, I go, she’s like literally like every waking part of my day, it is playing in the background.

[00:47:11] Greg Fitzsimmons: Yeah. Yeah. I get like that with audio books. If I find an audio book that I really like, I will, I go to sleep with it and I set my timer for 45 minutes and I want a book with a narrator who is calm and dry and I want material that is completely uninteresting to me. So like I listened to the biography of Hubert Humphrey.

[00:47:36] Maybe seven or eight times in a row, and it’s like a twenty eight hourbiography.

[00:47:40] Jason Mantzoukas: How much have you retained at all, if anything?

[00:47:43] Greg Fitzsimmons: Ask me one question about you.

[00:47:45] Jason Mantzoukas: Exactly.

[00:47:45] Greg Fitzsimmons: Nothing. Well, because I also take a sleeping pill every night. So not only am I falling asleep, I’m drugged.

[00:47:53] Paul Scheer: I love it. I love it.

[00:47:55] Greg Fitzsimmons: Yeah.

[00:47:57] Paul Scheer: Well, uh, Greg, your special,

[00:47:59] available on your YouTube channel right now. You can watch it, uh, you can listen to you on podcasts. You can basically, you’re very easy to find. You’re easy to listen to. I’m sure as people say that they fall asleep to us. I’m sure people fall asleep to you in a good way.

[00:48:13] Greg Fitzsimmons: I love that.

[00:48:14] Paul Scheer: People, you know. And so, uh, FitzDog Radio Childish with Allison Rosen and Sunday Papers with Mike Gibbons.

[00:48:19] Those are the podcasts. The special is, you know Me, it’s gonna be on, it is on YouTube, and uh, the earthquake was a 4.7.

[00:48:27] Jason Mantzoukas: Wow. Wow.

[00:48:29] Paul Scheer: 4.7.

[00:48:32] Greg Fitzsimmons: Damn.

[00:48:32] Paul Scheer: Holy cow. So, yeah.

[00:48:34] Greg Fitzsimmons: That’s, that’s big.

[00:48:35] Paul Scheer: So there we go.

[00:48:36] Jason Mantzoukas: That’s no joke.

[00:48:37] Paul Scheer: Yeah. No joke indeed. Uh, thanks so much for being here, Greg.

[00:48:40] Greg Fitzsimmons: Thanks for having me on. You guys are the best.

[00:48:42] Jason Mantzoukas: Great to see you, Greg.

[00:48:43] Greg Fitzsimmons: All right. Good to see you.

[00:48:44] Paul Scheer: All right, people, I hope you enjoyed our chat with Greg Fitzsimmons, but it is finally time to announce our next movie. And for the first time in over a year, we will be releasing, yes, an in studio episode. That’s right, next week, we will be saying goodbye to wedding rings and hello to magic rings.

[00:49:02] Because, in advance, of our live virtual show on Troll 2, we decided to go to the original 1986 fantasy horror film, Troll, which has nothing to do with Troll 2, but features a standout performance by Sonny Bono and Julia Louis Dreyfus. Here is a breakdown of the plot. A wicked Troll King invades a San Francisco apartment complex in search of

[00:49:29] for a mystical ring that will transform him into a human. Is it a child’s film? Is it an adult horror? We don’t know. Anyway, Rotten Tomatoes gives this film a 30 percent score on the Tomatometer. And Mike Massey from Gone With the Twins writes, “Everyone seems to get a dance scene, all for the sake of embarrassing themselves beyond simply participating in this movie.”

[00:49:54] And you know what, Mike, I did not recognize that when we watched the movie the first time, but now that you’ve said it, how could I have missed it? Anyway, listen to the trailer for Troll.

[00:50:04] Trailer Audio: Once upon a time when the world was filled with wonder, little creatures shared the earth with humans. And magic was a way of life.

[00:50:15] Once upon a time is now. Empire pictures presents troll the weirdest, the rowdiest, the most mischievous and the scariest little creature of them all.

[00:50:32] Paul Scheer: Now, okay, get ready. This movie is worth watching, but there are a few movies out there named Troll. So if you want to watch the right one. Make sure you’re watching Troll made in 1986 with Sonny Bono, Julie Louise Dreyfus, and is available to stream on Amazon Prime Video, Freebie to be Pluto TV and the Roku channel.

[00:50:53] But separately, I encourage you to check out Hoopla, Canopy and Libby, which are digital media services offered by your local public library that allow you to consume movies, TV, music, audio books, eBooks, and comics for free. Uh, I love this service and I’ll tell you so many people have been listening to my book on these services and it’s great.

[00:51:16] Uh, so support your public library. They are more than just a library. Um, all right, people, that is it for Last Looks. And if you listen on Apple podcasts or Spotify, Listen to me, please make sure you’re following us and you have automatic downloads turned on. That is important. It helps the show. Uh, you can also rate and review us.

[00:51:37] That also helps. You can visit us on social media and I want to shout out the Action Jackson 5 for making our opening theme song and a big thank you to our producers, Scott, Sonne and Molly Reynolds, and our movie picking producer, Avaryl Halley, our associate producer, Jess Cisneros and our engineer, Casey Holford, we’ll see you next week for Troll, 1986.